Selected Works for Theater and Dance
Score for Invisible Ink based on the life of Mara Hari. Directed by Nikki
Apino, Choreography by Wade Madsen, and produced by House of Dames. Premiere at On
The Boards, Seattle. (2002)
Town Mouse and Country Mouse: A musical adaptation of the classic Aesopís fable.
Script by Todd Jefferson Moore. Music and Lyrics by Wayne Horvitz.
Comissioned by and premiered at the Seattle International Childrenís Festival, May 2001.
Featuring Reggie Watts and Danny Barnes.
Score for The Professor, The Puppet, and The Executioner. Written and
performed by Todd Jefferson Moore. Directed by Nikki Apino. Premiered April
2001, ACT Theater, Seattle.
Score for Death of a Salesman, ACT Theater, Seattle. Directed by Gordon
Musical director and composer, The Last Paving Stone, by Y. York, directed by
Mark Lutwak. Idaho Theater for Youth. (1998)
Live Score for Broken Day by Choreographer Crispin Spaeth (with Julian Priester and
Eyvind Kang). Performed at On The Boards and Oberlin College. (1997)
Three year collaboration with choreographer Liz Lerman for evening length work
Shehechianu. Premiere of final work at Washington D.C.'s Shakespeare Theater.
Community based performance work with choreographer Liz Lerman in Portsmouth, N.H.
One month residency in Portsmouth working with local marching band, women's choir,
tap dancers and others. Composed and recorded electronic works for dancers, choral
work for the choir based on Hebrew text, and two 8-10 minute pieces for marching band.
All works were performed various times during the last week and all together on the Final
Sunday entitled Portsmouth Pages - The Shipyard Project. 90 minute documentary for
NH PBS, aired in spring 1999. (1997)
Music for Bill Irwin's Broadway show Strictly NY. Also performed throughout
Music of OZ by choreographer Paul Taylor in collaboration with the White Oak
Music for Ezra Pound's Elektra and the American premier of Harold Pinter's
Mountain Language. Both works directed by Carey Perloff.